It’s still a C major chord, but the additional notes enrich it. So the next time you’re playing a C major in the Open C position, try it as an Open G shape on the eighth fret instead. Sounds like a neat ending to a Beatles song, doesn’t it? Notice how the tension builds up and peaks on the second chord, then diminishes in intensity and resolves on the final one. Three chords you can make using the Open D shapeĪnd, just for kicks, end the progression with this chord: With the same Open D shape, bring your hand up to the fifth, seventh and ninth frets, then pluck all the notes on the first four strings. Here’s an interesting progression to try. Leave the fourth string open, then place your index finger on the second fret of the third string, your ring finger on the third fret of the second string, and your middle finger on the second fret of the first string. The D major is a chord that tends to make an appearance no matter the key of a song. Play the progression with a B major instead, and you’ll hear that something just isn’t right. Because you’re playing in the key of G, the chord formed using the B note must always be a minor chord. Unlike the others, this is a minor chord: B minor. You’ll notice that on the seventh fret, your index finger is in a different position, one fret lower. Try this chord progression: the G major, followed by the shape on the seventh, eighth and tenth frets.įrom left to right: modified B minor, modified C major and modified D major Shifting the Open G shape along the fretboard will also yield new chords. Here, the root note falls on both E strings, or the sixth and first strings. If you’re a big Oasis fan, this is a chord that you’ll find familiar-the Britpop icons deploy the G major in almost every song, from “Wonderwall” to “Don’t Look Back in Anger.” To play it, place your middle finger, ring finger and pinkie on the third frets of the sixth, second and first strings, respectively, then add your index finger to the second fret of the fifth string. Take a moment to feel the mood of this chord and hear how it differs from the standard D major, which we’re about to come to. However, the other notes of this chord modify it and inject unique tones. Now that the root note is a D, we get a D major chord. Try moving the Open C up two frets and pluck the notes of this chord: If you move the shape up the fretboard, you’ll end up with interesting, if a little unusual, major chord sounds. The root note here, the C, falls on the fifth string. Place your ring finger on the third fret of the fifth string, your middle finger on the second fret of the fourth string, and your index finger on the first fret of the second string. It’s perhaps the most natural chord to play, so it’s no surprise that the C major is the first chord that most guitarists learn. For example, these are two chords-D major and E major-that you can play with this configuration.īarred D major (left) and barred E major (right) The Open C The concept of maintaining the finger pattern up the fretboard and using your index finger to barre the untouched strings works for the Open A shape, too. In this shape, the root note of the chord falls on the fifth string, which is an A. (Pro tip: If they’re long enough, you can use a single index or middle finger to hold down on all these notes.) You’ll also have to ‘mute’ the E string by lightly placing your thumb on it-or just not strike that string at all as you play. Leave the fifth and first strings open, then place your middle finger, ring finger and pinkie on the second frets of the other strings. The A major chord, formed by this shape, behaves similarly to the Open E.
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